Deal With It Tour
- Oct. 15, 2021 / Friday 7:00 PM Buy Tickets
Taylor Tomlinson’s perspective possesses a degree of wisdom that’s typically earned with age. Named to Forbes’ 2021 class of 30 Under 30, fans got a healthy dose of that wisdom when her first-ever, hour-long special, “Quarter-Life Crisis,” debuted on Netflix last March just as the world entered into a once-in-a-century pandemic. The special went on to earn unanimous critical praise with the Washington Post calling her “your favorite quarantine-watch” and Newsweek opining she is “undeniably hilarious” and “wise beyond her years.”
Focusing exclusively on Taylor’s old-soul clarity is tempting, but what makes the woman Mashable calls "whip-smart and spectacularly cynical," stand out isn’t just that she seems too young to understand youth so well. It’s that she combines that vision with on-the-nose immediacy that can only come with still living in the moments being lampooned.
“I think that’s what comedians do: We’re funny in the moment,” Taylor says. “We’re just so self-reflective and narcissistic.” She laughs, then adds, “But I’ve always felt older than I am. That virus joke is similar to a lot of material in my first Netflix special. It’s me being frustrated that I’m in a period of my life that everybody talks about like—"Ooof, yeah, that was hard. It was fun! But I wouldn’t go back for anything.”
Performances on The Tonight Show Starring Jimmy Fallon, CONAN, Comedy Central's Adam Devine's House Party, and Netflix’s The Comedy Lineup, as well as a top-ten finish in season 9 of NBC’s Last Comic Standing, have all endeared Taylor to a national audience. Variety Magazine named her one of the Top 10 Comics to Watch at the Just for Laughs Festival, and she’s a regular on What Just Happened??! with Fred Savage.
Taylor spent much of 2019 filling clubs across the country on her own headlining tour and in 2020 despite the COVID-19 pandemic continued to grow her fan base with the seven-city, 19 show The Codependent Tour, her first co-headlining tour with fellow comedian Whitney Cummings. The socially distanced, outdoor performances kicked off in Philadelphia in Sept. with 5 shows and that initial success led to the addition of 14 more shows in six different cities.
Taylor is in her mid-twenties, but she’s honed her craft for more than a decade. The California native began doing standup at 16 after taking a class with her dad––and she never stopped. Churches, schools, and fundraisers were her first stages. When Taylor turned 18, she played every club in San Diego that she could. “When I started doing standup, it was the first time I felt comfortable with myself,” Taylor says. “I think people I went to school with were surprised––I was kind of quiet and introverted.”
Dating, friendships, our evolving relationship with technology and reality––Taylor skewers modern twenty-something life with self-deprecating precision. Raised in a conservative home, Taylor also prods Christianity and privilege with that same blend of distanced awareness and personal familiarity that defines her jokes about her age. “I’m a perfectionist. I’m not really a risk-taker––being a standup comic to me is already risky enough,” she says. “I don’t drink. I don’t party, and I never have. My mom died pretty young. I think when that happens when you’re a kid, you realize sooner than other people that you aren’t in a bubble. You lose that self-perceived invincibility a lot of young people have.”
Taylor’s Netflix special was the culmination of years of writing and performing, and it showed. The set was a masterful display of deft timing, crowd connection, physicality, and smarts. The material changed over the months that passed from pitch to performance, reflecting shifts in Taylor’s own life. “A lot happened over the summer of 2019,” Taylor says. “I ended up breaking off my engagement. It was a lot of growth in a very short period of time. It changed the hour a lot from what I had submitted back in February––and I think made it better.” For filming the special, Taylor chose the Aladdin in Portland, Oregon.
“I found out I got the special and enjoyed it for about 20 minutes, then I got really stressed and was pretty laser focused,” Taylor says, laughing a little. “You think you’ll take a break after you film it, but then you realize, ‘Oh shoot. I need a whole new hour of material––I can’t take a break!”
The special went on to be named “Best of 2020” by New York Times, Decider, Paste and more. And Vulture’s “comedian you should and will know” is just getting started! She has already developed a whole new hour of material and can’t wait to get back on the road later this year when safe to do so and share her observations and self-discovery from quarantine with the world. “I just don’t think there’s anything better than having a room full of people laugh at something you said. All I really want to do is be really good at standup––and continue to get better at it,” she says. “Saying ‘that’s all I really want’ feels insane because it’s so much to want.”
Updated COVID-19 Policy for Pabst Theater Group Venues
THE PABST THEATER GROUP REQUIRES THE FOLLOWING FOR ENTRY TO ALL SHOWS:
- Valid proof of full vaccination for all guests over 12 years of age (final dose must be at least 14 days prior to event)
- Valid proof of a negative COVID-19 test taken within 72 hours of the show for all guests over 12 years of age
- Masks are encouraged for all guests, but not required unless under 12 years of age
The Pabst Theater Group requests customers comply with all CDC guidelines relating to masks.
Current CDC Guidelines:
Certain events may have enhanced safety policies relating to vaccine, testing or masks based on artist request, local guidelines or other outstanding conditions.
To ensure you have the most current information please check the individual Event Page for additional guidelines and requirements specific to the event you are attending
Parking & Directions
Please note that group rates are typically offered for groups of 20 or more, but are sometimes offered for groups of 10 or more. Discounts range from 10-20% but vary from show to show (not all shows support a group rate due to high demand or other restrictions).
SMALL PURSES ONLY, PLEASE. PURSES ARE SUBJECT TO SEARCH
To efficiently create a positive and safe experience for all patrons, only small purses (13″W x 4″D x 9″H and smaller) are allowed into the theater and all are subject to search.
All other bags including backpacks and oversized purses are strictly prohibited and bag storage is NOT available at The Pabst, The Riverside, Turner Hall Ballroom or The Back Room @ Colectivo.
THE FOLLOWING ITEMS ARE PROHIBITED AND ARE NOT ALLOWED INTO ANY OF THE VENUES.
Weapons, laser pens, signs, banners, electronic smoking devices (vapes, Juuls, etc.), oversized bags, backpacks, outside food and beverages including water, cans, bottles, alcohol, illegal substances, iPads/tablets, selfie sticks, laptops, professional audio recording devices (unless approved by artist), and any professional photography equipment. The use of vape pens inside the venues are prohibited as well.
PLAN AHEAD: LEAVE YOURSELF EXTRA TIME
Plan to arrive 30 minutes before you want to be in your seat to allow time to go through our security check. Please leave large bags at home or in your car.
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